Review – The Adventures of Tintin

I managed to get free tickets to a preview screening of the film – read my slightly average review below:

Produced by Peter Jackson and directed by none other than Steven Spielberg himself, everyone knew that a Tintin movie (the rights of which the director has held since 1983) was going to be a big deal. The series of comics by revered Belgian writer Hergé, the first written in 1929, have been a global success, showered with praise and translated into more than 80 languages worldwide, while the most dedicated fans often brand themselves “Tintinologists”. It will therefore come as a huge relief for many that Spielberg’s motion-captured homage to the plucky red-haired hero is funny, cinematically impressive and intensely difficult not to like.

Jackson had previously convinced Spielberg that filming Tintin in live action would not do the comics justice. When watching the film, one has to agree. The motion-capture technology brings Tintin to life. It’s admirable how seriously Hergé’s animated world is taken, from the detail of the characters to the cartoonish action sequences. One stunning scene takes place in a Moroccan town where Tintin chases down three small pieces of paper vital to his investigation – he loses Haddock in a sidecar (who had just blown a water dam to bits with a bazooka) and ends up zip-lining down a telephone wire on the remaining wheel of a motorbike. That’s a tiny fraction of what happens, but the impressive thing is that a large amount of this scene takes place in a single shot. It’s animated with visual flair, colour and virtuosity and is a return for Spielberg to the films he made in the 1970s and 1980s. It’s by far his most entertaining film since Jurassic Park.

The characters are done very well. Haddock, played by Andy Serkis is alcoholic and delusional; Tintin (Jamie Bell), every strand of his trademark quiff blowing in the wind, is as adventurous as the books make him out to be; and Thompson and Thomson (Simon Pegg and Nick Frost), hilariously incompetent, provide great comic relief. There have been obvious problems in terms of “dead eyes” in motion capture (exemplified by the rather creepy Polar Express and Beowulf) but Tintin doesn’t suffer from this. In fact, when adapting

Tintin and Snowy

from a series of pictures in which character eyes are black dots, the filmmakers do surprisingly well in making Tintin, Haddock and others look more human. Character movements are smooth and appear natural; occasionally I thought I was watching live action.

The Adventures of Tintin is pure fun. In fact, it’s a visual treat that despite minor flaws (a drawn-out ending, flat 3D) is one of the best films I’ve seen this year, encompassing a glorious world, constantly funny jokes and impressive action set-pieces. Go and watch it. You won’t regret it.

4 stars out of 5

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Past reviews

Before I started this wordpress business, I used to write a lot of reviews of films both recent and old. I’ve carefully trawled through a great load of them (a lot of them aren’t very good) and selected what I feel most represents my stunning body of work as a professional writer. Enjoy, therefore, a presentation of my unparalleled reviewing skills.

I know, I’m not really a professional writer. It’s just a joke.

Review – Captain America: The First Avenger (2011)

The first major screen appearance of the sensationally jingoistic Marvel superhero Captain America is an enthralling mix of villainy, patriotism and gunfire. Set in World War Two, it tells the story of the scrawny Steve Rogers who, after being deemed unfit for regular military service, volunteers for a secret experimental project which transforms him into a muscle man with superheroic abilities. Though Chris Evans’ performance lacks emotion, the film benefits from its supporting cast which includes a spectacularly creepy Hugo Weaving as arch-villain Red Skull and a dazzling (and English) Hayley Atwell as SSR Agent Peggy Carter. The set-pieces are better than ever, each explosive scene transitioning to the next with almost no break, and there are some excellent fight scenes between the American soldiers and the disintegration-gun-equipped followers of Nazi cult HYDRA.

It’s undoubtedly cheesy, but in a more comfortable, familiar way, a way that is often associated with Marvel, so it’s forgiveable. The 3D, however, is not. The whole film appears flat in its entirety, even when our nationalistic protagonist tosses his painted shield at the camera with considerable force. Never mind. “Captain America: The First Avenger” is a good bit of old-fashioned, very American fun, which succeeds in whetting our appetites even further for the forthcoming “Avengers” film. Just make sure you stay until after the end credits.

4 stars out of 5

Review – Batman (1989)

Tim Burton’s “Batman” ultimately reincarnated the renowned comic-book character with great style; from the campy, tongue-in-cheek days of the 60s to the brooding, dark shadow we know today. With elements of Frank Miller, Burton brought into existence a Gotham city overrun with dangerous criminals and menacing streets. It is into this unholy world which Batman grapples his way in, ridding it of thieves and murderers. Yet a far more intimidating, lethal villain is rising and could soon rule over the city. As Batman begins to uncover more secrets about himself, photographer Vicki Vale becomes more and more susceptible to this great enemy’s lure.

The art direction in this is simply astonishing. Burton chose not to shoot on location, but instead to craft his Gotham out of extensively complicated sets which would be erected at the time of filming. And the film itself looks stunning. Although “Batman” is dark, it’s full of colour too. The character bringing that colour is unquestionably Jack Nicholson’s Joker – making snappy one-liners, he kills people with crude ‘toys’, such as a lethally electric hand buzzer, whilst laughing manically. Although there are funny parts, this is in comparison to earlier efforts a very serious comic book movie, full of stark imagery and thoroughly explosive action sequences. Although there’s not a huge amount of character development, especially in Michael Keaton’s Bruce Wayne, Danny Elfman’s score is terrific and this will always be remembered as the first truly exciting, tense and sinister Batman movie.

4 stars out of 5

Review – Moon (2009)

Duncan Jones’ thought-provoking directorial debut, Moon, is one of the greatest science fiction films of the 21st century. Sam Bell is an American astronaut who, in the last few weeks of his 3-year contract on Moon, has a very personal encounter that makes him question reality. In a Hollywood smorgasbord of sci-fi rip-offs, remakes and sequels, it’s gratifying to find something utterly fresh, stimulating and original as this, even if Kevin Spacey’s robotic assistant GERTY is somewhat reminiscent of HAL in 2001: A Space Odyssey. Sam Rockwell carries the entire film on his shoulders – a hefty job, but he adapts perfectly and gives a thoroughly powerful, emotional performance. It’s a wonderfully entertaining film with some great set-pieces, but it’s also a poignant tale of growing industrialisation and human greed.

4 stars out of 5

Review – Hard Boiled (1992)

John Woo’s last Hong Kong film before his unfortunate shift to Hollywood delivers much more than any American filmmaker can with about a tenth of the budget. Hard Boiled is action cinema at its very, very best with its intense shootouts, deafening explosions and, in general, its colourful flamboyance. It’s one of the most elaborate and awe-inducing films you will ever experience.

Chow Yun Fat stars as “Tequila”, a tenacious, agile cop who is determined to track down and annihilate a malevolent mob boss (Anthony Wong Chau-Sang) and his associates. Also in the picture is Tony (Tony Leung Chiu Wai) – another gangster… or is he?

Despite the trouble of culture clash, one can distinguish how good the two main leads are. Even through the most extravagant gun battles they convey the deepest emotions – the undercover man, yearning to break free from his vice, and the loyal, aging cop who believes he’s misunderstood. It seems, when directing his own countrymen, Woo can achieve much better performances.

Although the film in its entirety is pulse-pounding, the real sensations come at the end in the climatic hospital scene. Thousands of bullets are sprayed around as cops go up against terrorists and flames are everywhere in a sequence that only further shows Woo’s utter pyrotechnical genius. In one instance, the camera follows Tequila and Tony around as they shoot people in an impressive long take lasting almost three minutes. It’s a unique and fantastic addition that you never really see in an action film, making it all the more flabbergasting. Woo’s extensive use of slow-motion shots and quick, brutal dispatching of characters has become something of a genre in itself as it truly does stand unparalleled.

It’s often been ranked in the same vicinity as his other masterpiece, The Killer (1989). While Hard Boiled doesn’t have as much of a story, the action is certainly on a much higher level. It’s really up to the viewer to decide which they prefer, but one thing is for sure on both sides; that Hard Boiled, the last film John Woo made in Hong Kong, is not to be missed under any circumstances.

5 stars out of 5

And there you have it. I hope you enjoyed reading these as much as I enjoyed writing them (which for one of them wasn’t very much. See if you can guess which one). I’ll be trying to write more review on here especially of more recent films, such as the upcoming Tintin film (which I just happen to be seeing early). Stick with it, I’m sure you won’t be disappointed.