This is the first time I’ve done anything on this blog in the way of film news, not just because I don’t quite have enough time, but also because there are several dozen other places where you can read about every upcoming production, every cinematic hint, every update on directors with relative ease. However, the most recent development by the BFI in terms of film programming filled me with indescribable excitement, and I just had to write something brief about it.
This summer, to perhaps tie in with the Olympics season and the Queen’s Diamond Jubilee, the BFI Southbank (or, National Film Theatre) will show all of Alfred Hitchcock’s surviving films in a retrospective the scale of which has never yet before been seen at the repertory cinema. That’s right, all 58 films that are available, from the newly restored The Pleasure Garden to his final feature, Family Plot, will be shown over a period between August and October, while some of his earlier silent films will also be shown across the country with live scores.
The BFI will be ‘celebrating the genius of a man who, it said, was as important to modern cinema as Picasso to modern art or Le Corbusier to modern architecture. Heather Stewart, the BFI’s creative director, said: “The idea of popular cinema somehow being capable of being great art at the same time as being entertaining is still a problem for some people. Shakespeare is on the national curriculum, Hitchcock is not.“‘
For me, this is an astonishing move. I was brought up on Hitchcock movies and they were among my first introduction to what might be called ‘classic cinema’. My mother showed me all his most iconic features and even took me to see North by Northwest at the NFT, my first trip to that brilliant cinema which continues to shape my film choices to this day. As I’ll (hopefully) be a BFI member by August, I will go and see as many Hitchcock movies as I can. That’s right, morning, afternoon and evening, I’ll be there, sitting in one of the three screens, helping to celebrate one of the greatest and most influential filmmakers that ever lived. And this blog will be home to my excited self, reviewing every film I see and complaining about my subsequent lack of bank balance. I hope you’ll look forward to it.